Art History Program, Department of Art

 

PLAN FOR THE ASSESSMENT OF LEARNING

 

Version 4.0, February 12, 2004

 

 

This document delineates the plan of the art history faculty of the University of Toledo to assess the undergraduate program for undergraduates receiving the Bachelor of Arts in art history. (For the program’s Mission Statement, see Appendix I.) The first portion of the plan gives an overview of the types of knowledge and skills that art history majors should have acquired by the time they complete the major (for course requirements, see Appendix II). The second portion of the plan outlines the methods and instruments faculty will use to assess the effectiveness of our program in providing such knowledge and skills. The third portion. The plan will be partially operational in the spring of 2004, and fully operational in the 2004/ 2005 academic year.

 

 

I. KNOWLEDGE AND SKILL AREAS  IN ART HISTORY

 

A. Knowledge

 

The art history faculty believes that students receiving the B.A. in art history should acquire knowledge of the following:

 

1. The history of art

 

In their required coursework for the B.A. (see Appendix II) art history majors should acquire a sound, basic knowledge of the following essential aspects of the history of western art and architecture:

 

a.   the essential chronology of western art, ranging from the prehistory of Europe and western Asia through the contemporary world;

 

b.   essential aspects of tradition and innovation in western society and culture, particularly as they relate to the development of artistic style and subject matter;

 

c.   works from the range of western culture that manifest the achievements and various aims of artists, and of the goals of their patrons or matrons;

 

d.   essential media and processes used by artists; and

 

e.   a vocabulary essential to the understanding and interpretation of works of art.

 

Majors should develop similar types of knowledge about at least one non-western region appropriate to our curriculum: Asia in general, Japan, China, India, Africa, Native America, Meso-America, or  “ethnographic” (which deals with the indigenous art of the non-western and non-Asian world).

 

2. Art historical methods and concerns

 

Through their historically based coursework, as well as a new course, Methods in Art History (see Appendix III) students should acquire a basic knowledge of the development of the art historical discipline and its working methods (such as style, connoisseurship and analysis of content), various ideological approaches to the discipline (e.g., formal analysis, style and periodization; iconography; Marxist theory; feminist theory), and historiography.

 

B. Skills

 

1. Skills related to and developed in the art history curriculum

 

The art history faculty believes that students graduating with the B.A. in art history from the University of Toledo should have developed skills in the following areas, all of which are central to the art history curriculum:

 

a. Visual analysis

 

Students should develop their abilities to analyze fundamental formal and aesthetic aspects of works of painting and sculpture and, if possible, architecture.

 

b. Writing

 

Students should achieve appropriate levels of maturation in the conceptual and linguistic skills necessary to understand, analyze and communicate about works of art in historical context.

 

c. Critical Thinking

 

Students should achieve the appropriate levels of skill necessary to understand, analyze and critique scholarly discourse relating to the art historical discipline.

 

d. Research

 

Students should achieve appropriate levels of maturation in the skills necessary to gather and analyze information related to the art historical discipline, and in the citation of scholarly sources.

 

2. Non-curricular skills

 

The art history faculty believes that students graduating with the B.A. in art history from The University of Toledo would strongly benefit from developing skills in a number of areas relating to the discipline. While not directly addressed in the art history curriculum, students will be advised to acquire knowledge of the following:

 

a. Computer Literacy

 

Students will be advised to acquire, through coursework, workshops or tutorial study, a basic knowledge of computer hardware and software relating to research, word processing, data processing and graphics.

 

b. Photography

 

Students will be advised to acquire, through coursework, workshops or tutorial study, a basic knowledge of the use of both film and digital cameras to record and document works of art and architecture.

 

c. Operation of audio-visual equipment

 

Students will be advised to acquire, through coursework, workshops or tutorial study, a basic knowledge of the use of audio-visual equipment essential to the presentation of art historical material, such as slide projection equipment, video projectors and digital projection equipment.

 

d. Exhibition techniques

 

Through coursework, workshops, independent study or internships, art history majors should become familiar with basic skills relating to the installation, display, labeling, interpretation and cataloguing of works of art.

 

 

II. PROCEDURES FOR THE ASSESSMENT OF LEARNING

 

Assessment will occur once in each academic year and will focus on majors late in their undergraduate careers. While participated in by all full-time members of the art history faculty, the professor teaching Methods in Art History will coordinate the process.

 

A. Senior Assessment activities

 

Methods in Art History will be open only to advanced art history majors, preferably seniors. It will be the responsibility of the professor in charge of the course to help students in assembling portfolios that will be assessed by the entire full-time art history faculty. The following materials will be included in each portfolio:

 

1. An informal examination of art historical knowledge

 

Students enrolled in the course will take concise informal exams that will not be graded. The exams will draw upon the areas of knowledge outlined in Section I.A.1 above. Students will be shown a range of works of art that will include both mainstream works frequently used in undergraduate courses and textbooks, and works that are rarely used. They will be asked to discuss them briefly in terms of chronology, style, authorship and essential characteristics. The full-time faculty will analyze student response according to a set of standards that will result in a quantitative score. This analysis, as well as student comments on them, will be very helpful in assessing our historically based-curriculum (I.A.1) as well as visual analysis (I.B.1.a).

 

2. A written exercise in visual analysis

 

In the Methods in Art History seminar, students will be asked to describe and analyze in class the formal characteristics of a work of art that, by design, will not be familiar to them. The full-time faculty will analyze these submissions according to a set of standards that will result in a quantitative score. This analysis will be very helpful in assessing the effectiveness of our curriculum in terms of description, visual analysis, and written expression (I.A.1.f and I.B.1.a).

 

3. Two writing samples dealing with critical thinking and research

 

Art history majors will be instructed on course syllabi to save all written assignments from their courses in the major. During the construction of portfolios in Methods in Art History, majors will be asked to choose from their saved work two formal writing assignments. The full-time faculty will analyze these submissions according to a set of standards that will result in a quantitative score. This analysis will be very helpful in assessing the effectiveness of our curriculum in terms of writing, critical thinking, and research (I.B.1.b-d).

 

4. A senior exit questionnaire and statement of self-assessment

 

Graduating majors in Methods in Art History will be asked to submit information about their skills in non-curricular areas (I.B.2.a-d), and a letter of self-assessment that reflects on their experience with the major. This material will provide formative information for the art history curriculum and advising.

 

B. Alumni follow-up questionnaires

 

The faculty will make every effort to follow the careers of our graduates, and to solicit their evaluation of our curriculum after they have pursued careers or further education. The Director of Art History will coordinate this effort; all full-time faculty will analyze the information gathered.

 

 

III. THE IMPLEMENTATION OF THE ART HISTORY ASSESSMENT PLAN

 

Spring 2004

 

Led by the Director of Art History, the full-time faculty will create the quantitative measuring instruments for three important instruments for assessment: a) the informal examination of art historical knowledge, b) written exercise in visual analysis, and c) analysis of writing samples (II.A.1-3). As part of the process, the Director of Art History will coordinate the assembly and analysis of senior portfolios consisting of three formal writing assignments and a letter of

 

Fall 2004

 

Methods in Art History will be offered for the first time in the Fall Semester of 2004 under an existing Special Topics number (ARTH 4980). The new course will also be submitted to the College for approval as a required course in the major with a unique course number. Pending approval by the College and University, it will become a required course—given once a year— for all students declaring an art history major in the 2005/6 academic year.

 

During the Fall of 2004, Dr. Richard Putney will teach Methods in Art History. He will coordinate the full-time faculty’s assessment activities called for in this document (II.A-B) and the publication of an assessment report for the art history program..

 

Spring 2005

 

The art history faculty is currently developing curricular initiatives relating to essential practices in the conservation and display of cultural and artistic artifacts. Once available to our majors, such educational experiences will also be folded into our assessment program. An experimental course in Museum Practices will be offered for the first time in the spring semester of 2005. Pending the establishment of an effective curriculum and approval by the College and the University, it will become a regularly offered course and a requirement for art history majors.

 

 

 

 

 


APPENDIX I

 

Mission Statement

 

Art History Program, University of Toledo

 

 

The essential mission of the art history program is to teach and guide students of the University of Toledo in the maturation of the conceptual abilities, visual perceptions and linguistic skills necessary to understand and analyze works of art in historical context. Centering upon the fine arts and engendering the values traditionally associated with a liberal education, the art history program intends to provide its students with the instruction and the guidance necessary for their success in the pursuit of careers or of further educational experiences, whether in the history of art or other fields of human endeavor. Although the art history program will focus its curriculum upon its undergraduate majors in art history, art education and studio art, it also has a strong commitment to providing offerings of the highest quality to student majoring in fields other than art. In providing outstanding educational experiences for all of its students, the program will effectively utilize the uniquely combined resources of The University of Toledo and The Toledo Museum of Art. Housed on the Museum campus in close proximity to an art collection worthy of any university in the world, the program will take full advantage of an environment that is ideal for enhancing the understanding of the creative process. With the cooperation of the university and the museum, the program aims to realize the vast educational potential provided by an unusually advantageous institutional affiliation, and for its faculty members to realize their full potential as teachers and scholars.

 

 

 

APPENDIX II

 

Requirements in the Art History Major

 

Requirements at the time of this writing call for the completion of a four-course sequence of 12 credit hours in the history of western art: ARTH 2000 – Aspects of Ancient Art (3 credit hours); ARTH 2020 – Aspects of Medieval Art (3 credit hours); ARTH 2040 – Renaissance and Baroque Art (3 credit hours); and ARTH 2080 – Modern Art  (3 credit hours).

 

In addition, majors are to take at least one three-credit course in non-western art, to be drawn from the following: ARTH 2100 – Introduction of Asian Art (3 credit hours); ARTH 2200 – Ethnographic Art (3 credit hours); ARTH 3250 – Topics in Asian Art (3 credit hours); ARTH 3270 – Topics in Ethnographic Art (3 credit hours); ARTH 3300 – African Art (3 credit hours); or ARTH 3350 – Art of the Ancient Americas (3 credit hours).

 

To complete the major, which has a minimum requirement of at least 33 credit hours, majors are to take a minimum of 18 additional credit hours in the history of art; the maximum hours allowed in the major is 45, with the exception of the optional senior thesis (four credit hours).